Christopher Nolan has made some excellent commercially successful films like Inception, The Dark Knight, and Mememto. When word got out that he was working on a serious science fiction film expectations got out of hand. Those of us old enough to remember the first screenings of 2001 thought maybe, just maybe, we might see something comparable to Kubrick’s masterpiece. Well I am sorry to report that Interstellar is no 2001; it’s not even a Blade Runner or Nolan’s own Inception. Interstellar is a giant, moderately entertaining, incoherent mess.
Much has been made of Kip Thorne’s involvement with Interstellar. The Black Hole depicted in Interstellar is based on General Relativity calculations. Apparently the CGI animators uncovered something unexpected in how a spinning Black Hole drags light around it. We are told the Black Hole in Interstellar is the most technically accurate ever seen in the movies. Unfortunately, it’s the only technically accurate part of the whole damn movie.
There is no point going over the boners in Interstellar. They are numerous, annoying, glaring, and embarrassing. If you must torture yourself the Bad Astronomer has catalogued Intersellar’s most egregious violations. Now I know what you’re thinking. John, it’s a freaking sci-fi movie, lighten up! You’re going on like a character on the Big Bang Theory.
My answer to such ankle biters is simple. Science fiction is as an Art Form. An art form has two equal components: art and form! Art, without form, is usually effete garbage, and form, without art, is an income tax return. Greatness only emerges when the two are in perfect balance. The first step in achieving balance is honoring the basic elements of the form. So what are the basic elements of the serious science fiction form?
I’ve gone over this before but clearly you weren’t paying attention. Serious science fiction differs from fantasy in the way it treats reality. Serious science fiction is allowed a few departures from physical reality. You can assume wormholes connect different parts of the universe and that it’s possible to safely traverse them but that’s it cowboy! Outside of wormholes it’s physics as usual! This is the science part in science fiction. Great science fiction strictly follows this mandate. Take 2001, the exemplar of how this is done, anything non-obelisk related in 2001, including HAL 9000, is completely and absolutely plausible. The obelisk is the singular departure from reality in 2001.
Interstellar bombs because it often departs from physical reality for the basest of reasons: advancing a clunky nap inducing plot. I cannot abide such transgressions. It’s like watching a prima donna ballerina stop in the middle of Swan Lake, drop her tutu, and take a dump on stage. Now prima donna dumps may be entertaining but they’re not ballet. Similarly, Interstellar has its good parts but it’s not serious science fiction. In my opinion Interstellar is a bigger disappointment than Transcendence and it makes we wonder if anyone in Hollyweird is capable of making serious science fiction these days.
Analyze the Data not the Drivel 